How it all began, and why a blacksmithing workshop feels like a good block party. . . . → Read More: About Those Block Parties
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Three high-energy days of secrets, tips, and technique: Charles Lewton-Brain moved from personal computer file presentation on the big screen to the pitch bowl and heat gun, to the torch and toolmaking for a power-packed weekend. . . . → Read More: The Lewton-Brain Chasing and Repousse Workshop Grab a seat with Charles Lewton-Brain–here at the teaching studio from July 30 to Augst 1, 2010, and on his own brainpress.com website. . . . → Read More: Grab a front row seat with CLB and Brainpress at the end of July Working at a computer or in an office environment all day, we lose connections with not only our bodies but our past. A weekend workshop at the forge brings us back to ourselves in surprising ways. . . . → Read More: Who Takes a Metals Class, Part 4, The Keyboard Geek Charles Lewton-Brain will be at the Center for Metal Arts July 30-Aug 1, 2010, for a three day information-packed seminar on tooling and processes of repousse and chasing. . . . → Read More: Hot off the Brain Press! CLB Dates Confirmed The working artist benefits from taking a metal arts class in surprising and serendipitous ways–and what the individual artist brings to the class benefits everyone. . . . → Read More: Who Takes a Metals Class, Part 3: The Artist Making is what we do as humans, and a large part of making has disappeared from education and experience. The metals class brings it all back. . . . → Read More: Who Takes a Metals Course? Part 2, The Career Explorer  The professional blacksmith has the most to gain from a master class, in the evolution of craft to enduring art. . . . → Read More: Who Takes a Metals Course? Part 1, Master Classes |
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